Author of Alex Rider, Foyle's War, Sherlock Holmes, James Bond, TV and film writer, occasional journalist.

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Ten Rules for Writing a Sherlock Holmes Novel

Thu, November 03, 2011

It may well be that Sherlock Holmes is the reason why I have spent so much of my life writing crime fiction of my own and if there is one small boast that I occasionally make, it’s that I have probably written more fictional murders than any other writer. Ever. The crime figures can be quickly totted up.

If you were to ask what has made Sherlock Holmes the most successful and best loved detective of all time, I would argue that it is not in fact the crimes or the mysteries. It seems to me that the appeal of the books has much more to do with character, the friendship of Holmes and Watson, the extraordinary and very rich world they inhabit and the genuine and often under-rated excellence of Conan Doyle’s writing, a touch melodramatic at times but still very much in the tradition of gothic romance. When I was asked to write The House of Silk, I realized that this would be the key. I had to become invisible. I had to find that extraordinary, authentic voice.

So, I set out the ten rules which I would have beside me as I wrote The House of Silk – and here they are. If you’ve read the book, you can judge for yourself how well they were kept and, indeed, if they were worth keeping.

Continue reading to discover Anthony’s ten rules

Courtesy of Mulholland Books publishers of House of Silk in the US

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